L’Observatoire vous invite à découvrir ou re-découvrir le projet « ODESSA – Orchestral Distribution Effects in Sound, Space and Acoustics », via la publication de l’allocution des co-chercheurs et co-chercheuses Jean-François Rivest, (Université de Montréal, membre de l’OICRM), Martha de Francisco (McGill University), Malte Kob (Detmold University of Music) et Caroline Traube, (Université de Montréal, membre de l’OICRM) au dernier International Symposium on Music Acoustics de Detmold (septembre 2019).
« ODESSA – Orchestral Distribution Effects in Sound, Space and Acoustics: An interdisciplinary symphonic recording for the study of orchestral sound blending »
Abstract :
ODESSA is a collaborative project between the Université de Montréal, McGill University and Detmold University of Music aiming to study orchestral blending effects, examining how instrumental sounds are sculpted by the conductor, the musicians and the hall acoustics and how the sound changes when heard and recorded from different perspectives. This project is realized in context of the ACTOR (Analysis, Creation, and Teaching of Orchestration) partnership, which involves a diverse international team of composers, music theorists, musicologists, computer and signal processing scientists, psychologists, acousticians, sound recordists and conductors. ACTOR’s main goals are to develop a perceptually based theory of orchestration and to create new tools for music analysis, composition, teaching and mediation.
Lisez l’article complet ici.
Revoyez le documentaire sur le même sujet cité dans l’article et réalisé par l’équipe du P2M :